I'm flexing my portrait and figure muscles again. It feels good. I've been going back and forth between working on illustrations and then "fine art" paintings. I'm also working on Aquabord which is a favorite surface. I love the way you can layer and layer and not muddy the colors and then you can lift back layers. The other big plus is not having to stretch or mat the final art. A little glossy varnish brightens the colors and then you can just put it in a frame like an oil or acrylic painting. The best of both worlds.